Tag Archives: Geek

Over at Patheos: Progressive Brands, Sexism & DudeBro Politics: #CloseGamerGate

Link to original post: here

Because this was now being handled in public, I was fortunate to receive the support of hundreds of people on Twitter – as well as attacks from others. I always expect some form of trolling, but I did not expect one of the attackers to be an editor at Salon, Elias Isquith, who questioned what my potential rape meant for “hashtags” and “brands”. “– Sarah Kendzior, On Being A Thing

Encountering the Emergent Church Brand

For a span of 2 years, my final semester of undergrad up until my second year in seminary,I tried and miserably failed to fit myself in the white Calvinist evangelical mold. As a black man in his early twenties, I didn’t fit in anywhere in predominantly white Christian educational settings. Some of my first friends in seminary were a group of white Christians who were well read with Emergent Christian literature: Tony Jones, Doug Paggit, Rob Bell, and Brian McLaren will all names that were dropped during our weekly Tuesday night taco dinners.  I would eventually leave the Neo-Calvinist movement on my own terms and started to see some freedom in the Emergent Church movement. Two of the more influential books on my journey were Scot McKnight’s The Jesus Creed and Donald Miller’s Blue Like Jazz. My Calvinist friends (who had not read these book/authors) were calling me a heretic for even reading these books, and as I look back then seven years ago, I can laugh.

I once preached a sermon on the Emergent church as the future of Christian tradition, and I even taught a Sunday School class on Black theology and Emergence Christianity.  However, I began to experience disaffection with the Emergent Church. All of the topics and controversies that the EC leadership wrote about/spoke about still made Whiteness as the center. Believers from marginated contexts were welcome to the table as long as they tacitly submitted to the ways of the dominant culture. In essence,  Emergence Christianities have become more about personal brands and the platforms of their recognized overwhelmingly White male leaders rather than being about the “future of Christianity.” You see, since we only live in the here and now, all talks of the “future of Christianity” are speculative. Yet, there is much money to be made when small groups of people decide to severe the multiracial Kingdom of God from any notion of the future. The “future” winds up looking very much like the status quo, and defenses (yes, even “progressive ones”) of the status quo are quite profitable.

Liberationist Killjoys And DudeBro Christianity

At Killjoy Prophets, there is a two-fold mission: first, we desire to center the experiences of Women of Color in Christianity, and secondly, we work to end DudeBro Christianity. Now, we often get asked, “what is DudeBro Christianity?” First of all, DudeBro is a descriptor of character traits; it is a politics in which any person of any gender, sexual orientation, or ethnic background can embody.  DudeBro Christianity is the passive embodiment of dominant cultural norms that conceal commitments to White supremacist and male supremacist narratives as defaults. The bodies of women and People of Color are made to be objects of contempt. The practice of DudeBro Politics includes someone who insists that all social encounters occur on their terms.  The future of Christianity is their private property (“post-Christendom”); like the plantation oligarchs, People of Color and the bodies of women are to be supervised by DudeBro Christian leaders.

Emergent Christian leaders often make excuses such as, well many PoC and women just do not have a big enough platform to draw a big enough crowd for conferences. In other words, profit is the driving force behind abstract discussions of “the future” rather than the Kingdom of God, which is justice, and peace, and joy in the Holy Spirit.  DudeBro Politics is the anti-Christ, posing as an angelic voice of progressive Enlightenment in order to deny faithful victory over the sins of White Supremacy, rape culture, and economic exploitation. DudeBro politics can play out in non-liberating events such as a White Cisgender queer male informing me that I use too strong of language when describing economic policies as anti-black racism. DudeBro Christianity is when for the sake of inclusion in the United Methodist Church, a White CisHet man uses his privilege to compare the General Conference to date rape. In order to build her brand as a magenta politics leftist, one political theologian dismissed Sarah Kendzior’s claims to being threatened with rape. Jason is right: in order for DudeBro Politics to remain the pre-eminent regime in this kyriarchal, White Supremacist economy, men have to control the bodies of women and PoC.

“but I think it’s pathetic for some [recognized Emergent Church leaders] to stand around and comment on the failings [of Mark Driscoll/Mars Hill Church], while cowardly never admitting your own sh*& (which is strikingly familiar!!) misogyny, mental and emotional abuse all hidden behind a new found liberalism and feminism because the times they are a changin’, jumping on the same sex marriage band wagon because its the hot new ride in town, and you just might get to be relevant again…these people are very cunning and smart and they will use anything (theology, controversy, sensationalism) and anyone to get ahead. it’s a clinical diagnosis and a pathology that looks like this kind of carnage, and they ALWAYS leave bodies in their wake. soliciting white male leaders of the emergent church willing to cover it all up for their crony. wipe out evidence on organizations website. lies and betrayal.”– Julie McMahon, comment, Tony Jones On Mark Driscoll, What Came First, The Thug or The Theology?

On Ending DudeBro Christianity, #GamerGate, & #NotYourShield

Emergence Christianities and their leadership has unfortunately found itself more often than not on imperialist quests for fame and fortune rather than being in solidarity with the least of these. In the process, as Julie McMahon pointed out, brand-creation and marketing leave the bodies of the marginalized in its wake: objectification, emotional, physical and mental abuse, gaslighting, racist microaggressions, and “post-modern” defenses of White Supremacy. Progressive spaces such as Emergence Christianity have made it okay for others to promote themselves at the expense of others (women mostly). For example, the whole #GamerGate #NotYourShield movement is a whole group of gamer dudes violently backlashing against women gamers who have spoken up versus misogyny. Last week, my friend Drew Hart discovered that a #NotYourShield sock puppet had been using a picture of his to advance the racist*, sexist agenda of #NotYourShield / #GamerGate.

#GamerGate is more than a few Internet trolls. They harass their critics, take down their blogsites, spread vicious rumors, and send emails promising gun violence and sexual assaults towards women who dare speak out. It’s time for progressives to find new ways to brand themselves, and this should start by rejecting DudeBro Politics. It means living by the preferential option for the marginalized (women & People of Color), preferring to choose human life and people over profiteering and brand-making.  Such a rejection also means a public rebuke of #GamerGate / #NotYourShield.    #CloseGamerGate #CloseGamerGate #CloseGamerGate

“[…] upon this rock I will build my church; the gates of hell will not prevail against it.”- Matthew 16:18 KJV

Buffy the Vampire Slayer "The Gift"; gif found on Tumblr

Buffy the Vampire Slayer “The Gift”; gif found on Tumblr

* I refer to #GamerGate/ #NotYourShield as racist because of #1, the persistent blackface sock puppeteering that they do, and #2, their reliance on negative stereotypes of Blacks as thuggish, criminal, and culturally “backwards”/homophobic.

Why We Need A Cultural Theology

I follow a number of blogs and people on Twitter that discuss Christianity and pop culture. After having watched for a while now, (most of) the blog posts and tweets show that a good theology of culture is needed today more than ever. Basically, people tend to fall into one of two extremes.

On one extreme, the case is argued for a complete withdraw from pop culture. Proponents of this extreme often cite Romans 12:2,

Don’t be conformed to the patterns of this world, but be transformed by the renewing of your minds so that you can figure out what God’s will is—what is good and pleasing and mature.

Other passages cited include 1 John 5:19, 1 John 2:15, John 17:11-16 and James 4:4.

On the other extreme, there is complete immersion into the culture with little to no regard for how one might be perceived as both a Christian and a consumer of culture.

Both of these extremes are problematic for a variety of reasons. The list of cultural warriors in both conservative and liberal Christianity is quite lengthy and one doesn’t need to look very hard or long to find bad examples of cultural theology.

But it’s not all bad news for cultural theology as there are some out there who do not fall into either extreme and attempt to faithfully navigate the intersection of faith and pop culture. One of the best blogs, in my opinion, is Christ and Pop CultureTheir perspective is center to right-of-center, but, I can appreciate their approach

One thing I hope to accomplish in my blogging, is to further develop how Christians should navigate the intersection of faith and pop culture from from a left of center perspective while being faithful to the Christian tradition and avoiding both of the extremes.

Over my next few posts, I will be looking at the passages noted above as well as looking at one specific example of cultural theology run amok.

Videogames as Story-telling: Protagonist Love Interests & Race

Well, last time we saw how racist myths can be kept afloat in videogames, even through anthropomorphic means. This post will be different , but yet the same, in that the central issue uniting all these problematics in these virtual narratives is one that sets that which is white as “default” and admirable.

There are myriad videogames one could choose to illustrate any of this. However, I’m going to stick with my experience and what I know.  As with the last post, I mentioned playing a lot of Sonic the Hedgehog games, in this post, I’ll feature a game whose narrative had a great impact on me and that I greatly enjoyed – Custom Robo!

I’ve always been into the battling robots  concept for as long as I can remember. Whether it was Gundam, Power Ranger’s MegaZords ( they looked like robots) , Medabots (which more people need to know about!), I seemed to have always been enamored with the concept of commanding/controlling a mecha-robo to engage in futuristic combat. Perhaps I’ll save what I think the significance of the mecha-robo combat is for another post…

Continuing with my interest in robot-combat fiction/games, I first played Custom Robo around Middle-School and it didn’t disappoint. I loved the futuristic aesthetic in the graphics and the music and character designs, etc. The story ( which, again I may cover in another post because it has significance) was captivating and I still remember it all so vividly. But what I also remember vividly, was the main character , called ‘Hero’ by default, looking like this:

He’s supposed to be the archetype of the honest-eyed, bon-homme (good-natured boy) – and he also happens to be a jolly white boy. And so being the honest, impressionable, and oft-naive bonhomme your main character is made to be, you naturally will need aside-kick, who may need to be a bit more worldy to round him out. Enter, Harry:

Yup. This is Harry (*sigh*..) Now we can go and deliberate all day as to what his race/ethnicity actually is because of his blond hair, but if we’re honest with ourselves, we know the motif of blackness being a side-kick to whiteness- Custom Robo isn’t the only place we see it.

Now, in Custom Robo, he serves as more of a guide/mentor to the hero joining the local Custom Robo mercenary squad. He’s a charismatic, entertaining character to interact with,although he is portrayed as a wily, sloppy, lazy, womanizing guy. You know, like many black man side-kicks we see….

His character actually doesn’t bother me as much as another one… or rather what seems to be the game’s disposition towards her.. Harry’s sister, Mira

She’s the head commander of the Police Squad in this game and she’s a black female. And much like her bro, Harry, she’s got a sweet funky hair color! Anyways, in some ways her character makes me happy- it’s good to see a strong , black female who’s actually reverred and respected in the story. What I don’t like, however, is the message her character sends about black females being perceived as beautiful and objects of male affection- esp. when they have natural hair styles.

Throughout the game, these are the women that the womanizing Harry and all the other gentlemen of the game are gawking over are the white, flowy-haired women, wearing more effeminate clothing. It’s almost as if to say that black women , with their natural hair texture, cannot possibly be seen as effeminate and desirable to men. I find it interesting that virtually every other female in this game wins the affection of a guy except Mira. And before someone would like to wrestle me concerning the colonialistic gaze on black natural hair and beauty, perhaps I should remind you (or bring to your attention) Meteorologist Rhonda Lee :

 

If you’d like to check out some of the game’s lunacy for yourself, with good commentary, I recommend you follow the youtube user who actually inspired me to do this post, Black Preon:

Until next time!