Yesterday, I received in the mail a review copy of We Confess!: The Civil, The South, and The Church by Deborah Brunt. I am excited to read and review this book.
“Paisley’s fascination with confederate iconography is strange given that he was born and raised in West Virginia, a state that came into existence as an act of geographic protest against eastern Virginian secession. This inconsistency notwithstanding, at the beginning of “Accidental Racist,” Paisley sings that he “hopes [the black man] that waited on me at Starbucks…understands [that] when I put on that t-shirt, the only thing I mean is I’m a Skynyrd fan.” Paisley seems to have arranged his life in such a way that the only black person he encounters in the course of his daily life is one who receives wages to serve him. Of course, Paisley neither notices the predominately white character of his social life nor considers himself responsible for it.”
“The only aim of Reconstruction was to fix the South after the war. “We’re still sifting through the rubble” very clearly implies that things are still broken.
If that’s true … good. Don’t fight for the right to own slaves if you don’t want your part of the country burned to the ground. Surely Brad Paisley isn’t waiting around for someone to apologize for that, right?”
– From Cracked.com: The 10 Most Racist Moments From the Song About Ending Racism
“The worst part of the song, in a way, is the simple and extremely common, “the past is the past.” This statement does violence to all the people who are currently suffering precisely because of the past. The past is simply not over.”
– Jesse Curtis: Is Brad Paisley’s New Song Racist?
“The assumption that there is no real difference among black people is exactly what racism is. Our differences, our right to our individuality, is what makes us human. The point of racism is to rob black people of that right. It would be no different than me assuming that Rachel Weisz must necessarily have something to say about black-Jewish relations, or me assuming that Paisley must know something about barbecue because he’s Southern.”
– Ta-Nehisi Coates, The Atlantic Why Accidental Racist Is Actually Just Racist
“First, Black Culture is not a monolith, neither, for that matter, is Southern White Culture. It is harmful and a great disservice to a healthy and useful conversation to imagine that there is a universally accepted norm for any group of people, especially when that norm is based on race.”
– Ben Howard, On Pop Theology: Brad Paisley Tries To Heal Race Relations; Fails Spectacularly
“LL Cool J and Brad Paisley’s song is a narrative of false equivalence where the Confederacy’s (a white supremacist terrorist state) crimes against humanity can be compared to the still incomplete work of racial justice that began with the Black and Brown freedom struggles centuries ago, but was prematurely pronounced done and complete with Dr. Martin Luther King’s much misunderstood “I Have a Dream Speech.” “
“I’ll leave you with what I feel is the penultimate activist song regarding race in America, “Strange Fruit” […] Written by a white man, Abel Meeropol, and sung most famously by a black woman, Billie Holliday, this song shows that sometimes racial differences come together to form something completely poignant. Some people are saying that Brad’s song is promoting discussion–and I agree–but it hasn’t really been promoting any discussion about race, has it? And wasn’t that the point?”
– Joseph Lamour, Racialicious, Let Me Break It Down For You: Brad Paisley’s Accidental Racist
“Misunderstood” white folks who identify with the white victimology offered up by the Tea Party GOP may buy the song. Good ‘ol buys in the South and elsewhere who do not necessarily like “the blacks,” but who feel that good white folks have gotten an unfair deal, because of course the Civil War “was not really about” slavery, may buy the song.
And Fox News viewers, as well as liberal racists, the hipster set especially, may come to an ironic alliance and take on LL Cool J and Brad Paisley’s song as an anthem.
Will the neo-Confederates who want to secede, and those others who identify with them, embrace “Accidental Racist” or will they reject it as liberal apologizing for something, i.e. slavery, that 1) ought not to have been ended and 2) was actually a boon for (white) civilization and (white) democracy?”
– Chauncey Devega, WARN, Who Is The Audience For LL Cool J’s And Brad Paisley’s Song ‘Accidental Racist’
Just shocking to say the least! But why are progressive people like Germans TODAY reenacting the Civil War and sympathizing with the Confederacy? Probably no relationship whatsoever to the rise of NeoNazis in Germany or in other EU members. No probably not (read: snark).
“Among military reenactors, the chance to fight on the losing side or to struggle against overwhelming odds exercises a particularly powerful appeal. That, after all, is an essential component of the romance of Gone with the Wind; after exalting it, the Nazis found themselves forced to ban it in the nations they occupied, where audiences cast themselves – and not the Germans – in the role of the wronged. If even the Resistance in Europe was inspired to identify with the South, why read anything sinister into the existence of German Confederates?
Wolfgang Hochbruck, a Professor of American Studies at the University of Freiburg and a Union reenactor, is less charitable. “I think some of the Confederate reenactors in Germany are acting out Nazi fantasies of racial superiority,” he told author Tony Horwitz. “They are obsessed with your war because they cannot celebrate their own vanquished racists.” It’s an unsettling thought.”
Thanks to Katie from WIT on Twitter for the tip.