#Grimm: Organ Grinder

“We shall see the crumbs of bread…..and they will show us our way home again.”

This week’s episode of Grimm was the darkest and probably the best all around episode to date.  We open up with the image of a raven pecking, feasting on a corpse which had just been thrown overboard, into a river.  The raven, for those unfamiliar with the Brothers Grimm’s work, is a symbol for evil and wickedness, primarily from women (part of the residue 19th century Prussian liberal male sexism). Our usual suspects, Nick and Hank, are on the job, at the scene of the crime.

Next, we see Nick, going to Monroe (surprise surprise?) for advice, about his relationship with his significant other, Juliette.  Nick finally tells Monroe that Aunt Marie told him to break up with Juliette. Of course, this should bring out more of our suspicions. Is Aunt Marie right in this matter? And going back to last week’s episode, Of Mouse and Man, where there is a family spooked by the sight of Juliette, one has to wonder if she herself is not a Wesen (of course, that’s my take).

Hank and Nick take a look at the body, and find two holes in the neck of the victim. Sergeant Wu asks, “Anyone believe in vampires?”

Throughout the investigation, Hank and Nick discover the victims are usually homeless street kids, renting P.O. boxes., going to the free clinic, taking temporary employment opportunities. Hank summed up the situation: “Sounds like migrant labor.”

This modern day Hansel and Gretel re-telling stayed faithful to the original tale which begins as a story of economic oppression. When Nick and Juliette take Hanson and Gracie out to dinner, Gracie tells them, “It’s pretty simple. Our parents sucked.” Oh, but it’s still the mother’s fault. Don’t forget that. Women are evil. T.V. is always a good reminder of that. Thankfully, the big bad Wesen this week were not the center of the story (which they shouldn’t) but we met a Fuchsbau for the first time, a cat-like creature who sells dried up, grounded human organs for a price, and he begs Grimm not to kill him. Of course, this indicates that Marie and other past Grimms had a history of extreme violence and murder against the other Wesen. The other Wesen this week was a Geier, a witch-like troll, with a crooked beak. She seems to be the one behind the whole “free health clinic turned human organ selling cartel” scam. Enter Captain Renard: “Well which ever way you look at it, it’s still cannibalism.” And in a moment of truth and dark humor, Sergeant Wu corrects him “Uh, I think it’s pronounced capitalism.”

Nick, being so goodhearted, attempts to save the Geier, but she falls into a pit of fire (happens at the end of the actual Hansel and Gretel story too!). At end of this, Renard recieves a package, a box, with the Reaper emblem on it. It’s the ear he sliced off from another Reaper who tried to trespass on the Captain’s territory. A mysterious voice, speaking for “the Ferrat” (I can only assume to be the ruling council of Reaper warns Renard, “A Grimm on his own is like a Samurai with his Master.”

Renard counters that this one has a badge and conscience. Does that make all the difference, with Grimm’s family past history and all? Perhaps Renard is more complex than I first realized. Maybe he, like Nick, is a rebel against his own tradition, although Nick is not aware of it yet.

I just simply cannot wait for next week: Amy Acker (FRED FROM ANGEL) will be guest starring!!!


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